Book Projects
Torrington Project (Brooklyn, NY: Primary Information, 2025)
Jean Cocteau: The Juggler’s Revenge (Venice, IT : Marsilio Editori and Peggy Guggenheim Collection, 2024)
Peer-Reviewed Articles
“Retrospeculation: Tom Burr’s 42nd Street Structures,” Oxford Art Journal 47, no. 3 (Winter 2024): 362-383
“Robert Blanchon: AIDS and the Question of Conceptualism,” Art Journal 83, no. 1 (Spring 2024): 58-73
“Lighting in General: Tom Lloyd’s Electronic Refractions,” Criticism: A Quarterly for Literature and the Arts 65, no. 1 (Winter 2023): 1-27
Other Journal Contributions
“Looking for Beauford: The Greene Street Paintings, 1936-1952,” Nka: Journal of Contemporary African Art 52 (June 2023): 54-67
“Beauford Delaney, Composition 16, 1954-56,” in Museum Research Consortium Dossier 7 (New York: Museum of Modern Art, 2021)
Catalog Essays & Other Exhibition Texts
“Compression and Release” in Renée Green: The Equator Has Moved, ed. Jordan Carter (New York: Dia Art Foundation, forthcoming Winter 2025-2026)
“Easy Surface Tension” in Sophie Kovel: Donations and Estates (Paris: Petrine, 2025)
“Hernan Bas’ Conceptual Definitions” in Hernan Bas: The Conceptualists, 50-69 (Miami: The Bass Museum of Art, forthcoming July 2024)
"Orpheus, Twice, So On and So Forth: Jean Cocteau's Queer Refractions" in Jean Cocteau: The Juggler’s Revenge, 90-133 (Venice, IT: Marsilio Editori and Peggy Guggenheim Collection, 2024)
“When the Crack Precedes the Vessel: Louis Osmosis’s Recent Sculpture” in Please…It Is Making Them Thanks:), 2-5 (New York: Kapp Kapp, May 2022)
“Farah Al Qasimi” in Contact Sheet 212: Light Work Annual 2021, 36-43 (Syracuse, NY: Light Work, 2021)
Reviews
Suzanne Jackson at the San Francisco Museum of Modern Art, Frieze (October 2025)
Zoe Leonard at Maxwell Graham, Flash Art (September 2025)
Delcy Morelos at Dia Chelsea, The Public Review (December 2023)
Tess Wei at D. D. D. D., Artforum (September 2023)
Howardena Pindell: Reclaiming Abstraction by Sarah Louise Cowan, caa.reviews (May 2023)
Shahryar Nashat at The Art Institute of Chicago, Artforum (May 2023)
Art Demonstration: Group Material and the 1980s by Claire Grace, caa.reviews (January 2022)
Martin Beck at 47 Canal, Texte Zur Kunst (December 2022)
Kristi Cavataro at Ramiken Crucible, Artforum (September 2022)
Gregory Bae at the Museum of Contemporary Art, Chicago, Artforum (July 2022)
“Desire Machines: The Art of Kayode Ojo,” Flash Art 338 (Spring 2022)
“‘Greater New York,’ MoMA PS1 / New York,” Flash Art 337 (Winter 2021-2022)
Sara Cwynar at Foxy Production, Texte Zur Kunst (October 2021)
Julien Ceccaldi at Lomex Gallery and Jenny’s, Artforum (September 2021)
Stella Zhong at Chapter NY, Texte Zur Kunst (June 2021)
Patrick Angus at Bortolami, Artforum (February 2021)
Gedi Sibony at Greene Naftali, The Brooklyn Rail (October 2020)
Catherine Telford Keogh at Helena Anrather, The Brooklyn Rail (March 2020)
Interviews
“Eloise Hess Interviewed,” BOMB (October 2025)
“Anna Kornbluh in conversation with Blake Oetting,” November (September 2025)
“Jack Pierson Interviewed,” BOMB (October 2023)
“A Roundtable on ‘What Happened to the Institutional Critique?’ at American Fine Arts, Co.,” November (June 2023)
“Martha Rosler: On the changing face of feminism,” Artforum (December 2022)
“Painting’s Small Infinity: Alexander Carver Interviewed,” BOMB (December 2022)
“Models/Mush: Aria Dean Interviewed,” BOMB (July 2022)
“Tom Burr in conversation with Blake Oetting,” November (June 2022)
“Julia Wachtel: On visual pleasure and the dumb image,” Artforum (April 2022)
“Microscopic City: Yuji Agematsu Interviewed,” BOMB (March 2022)
Editorial
Editorial board for The Public Review, 2023-2025
Editorial Asisstant for Volume 73-74 of Res: Anthropology & Aesthetics